Maybe it’d be better to watch it on my CRT tv. The first one is “pan and scan,” while the second is widescreen. The cropping was ugly; however, I did not know there was a fullscreen version. Ultrawide Monitors. Its kind of a waste of money when having a 36 by 28 inch flatscreen but youre only seeing 2/3 of the screen. I think the Harry Potter films were shot using the same lenses as the Matrix films. Hollywood here I come! Now the current trend of taking old TV shows (in 4:3) and butchering with them to make then widescreen… THAT IS A big problem. a widescreen vs. a square monitor. The Matrix is not really the best film for this example, because it was filmed in Super 35, as open matte format which compromises very little in the transition from widescreen to pan & scan. Used to make me laugh. On this video there was nothing in the far edges that was important so your comment made sense. i really dislike both. One more point is alot of video’s on Youtube saying Fullscreen vs. widescreen,look more like matte Widescreen not anamorphic,probably,because anamorphic look’s horribly bad,you literaly see more Bar than film,and this look’s more like matte widescreen also. The thing that gets me is that at first we all had 4:3 screens. Now if we make a tv to fit a 2:35:1 aspect ratio to get rid of the big black bars, then the movies shot on 1:85:1 (and theres alot of them) would have thick black bars side to side. Really bad. annoying. Show me one 20.1″ widescreen monitor that has 1200 pixels vertically? go to widescreenadvocate.org to check out some examples. this shot in 1.85:1 would have probably been perfect. If the film was cropped for TV, they would at-least keep his face on screen, instead of just cropping the left and right off the frame automatically. you could keep the aspect ratio of a tv show to 4:3 on a 16:9 screen but then you get those black bars to the sides of the screen. Widescreen deff. I think the future TV format will become much wider, say 2.76:1, so cinema format FTW, TV format FTL! This often causes text to not be seen or certain important points in the movie to not be seen. Your email address will not be published. Why not keep it 4:3 and add PNS info for 16:9 then? The composition of the scene is COMPLETELY lost when cropping to full screen… you are losing 1/3 to 1/2 of the picture. At first I thought Seinfeld was just feeling different, because I only had been watching it on DVD with the 4:3 black pillars. It allows the director to make a more pleasing 4:3 version in theory BUT you do get dead space, often at the bottom, AND it sometimes introduces mistakes. Not all conversions are made equal, much like stereoscopic conversions. Sure you can still watch it and enjoy it mostly and it’s definitely better to get a poopy-looking version, than not getting anything at all but how can any person with actual integrity be involved in this and think “Yeah, I did a great job”…? On amazon and ebay there are only 2nd and 3rd parts in fullscreen. The average person (from my experience at least) really REALLY hates black bars, and wants to get rid of them at all costs. Funny thing is, TV shows that used to be shot in 16:9 are now changing to 18:9/2:1, as it looks more cinematic on TV screens and fills more of Phone screens. is there any new version that is true to the original?.at least they should people let choose what they want.. It wasn’t 16:9 and then chopped down to 4:3. No offense, THIS SUCKS. Great video.Hate when they do this, much rather watch 4:3 with BB, the way it was intended. Exactly what I was looking for. For example, how the hell was the movie twister shot Widescreen back in the day? Widescreen. Search by google: The Widescreen Scam, Yes, IMAX is 1.44:1 but even IMAX is wider then 4×3 4×3 is 1.33:1 Widescreen is here to stay but now people lean to 16×9 and don’t understand the bars put on 2.35:1 movies (like this Star Trek example) 2.35:1 movies are wider then a 16×9 allows so the bars are still there for those movies even on a widescreen TV. Now I have to throw out my Blu-ray disc edition of “Back to the Future.” because in the widescreen edition there is no 30% useful information. this reminds me of a situation with the Nickelodeon sitcom Drake & Josh. I always suspected that the square format contains more useful information than a rectangle. So hackneyed. Unless it's an old classic, and fullscreen's the only option. Widescreen, letterbox and black bars: How to wrangle TV aspect ratios to the sides or top and bottom of the screen so the TV show or movie can fit on your TV without bring cropped or. Having worked in a place that sold DVD’s and Blu-ray’s it was a constant battle to explain to people that they were wasting their money on full screen movies…it drove me nuts. because a lot of shows are 4:3 yet the standard today is 16:9. you have to stretch the old 4:9 image to 16:9 and it just doesnt look good. fullscreen looks better to me. But, when the TV channels do this, they do not Zoom based on a “centered” image. I liked to watch Widescreen movies. Pick an aspect ratio and stick with it! Plus, it cut off most of the beautiful scenery. He claims that when you cut off the sides of a movie you have to blow up the image in order to fill the frame, which produces a more fuzzy picture. Save $5. I’d rather see the framing as originally intended, as opposed to gaining a little dead space on either side and sacrificing some of the top and bottom of the shot. This is the most stupidest thing ever. That man knows how to use the geometry of the widescreen frame. On a 16:9 screen, the image width and height can both vary based on the aspect ratio of. 24" and 27" widescreen resolution is 1920x1200. If we’re really lucky we get the first ‘4k’ 4:3 TV show. If it was originally released in 1.33:1, then I’ll watch it that way. Widescreen or letterbox is long but not wide (it’s called “letterbox” because it looks like you’re seeing the screen through a mail slot). Preach it! Plus I like the heights provided by a 4:3 screen. Usually comics, documentaries and romance style movies tend to be 16:9. the whole reason that they wanted 16:9 is that all the picture ratios that they use can fit a 16:9 screen, yes your going to have black bars on the sides or the top and bottom, but your not losing picture. Great video! Fullscreen DVDs are for regular-sized TVs.” The woman opted for the fullscreen disc. The Matrix was filmed using spherical lenses rather than anamorphic lenses. When I watch the few remaining full screen movies on the widescreen sets, they look worse than the widescreen movies on the full screen sets. I think you overstate the seriousness of the problem. However a well done pan and scan can be impressive for its own sake. Antenna TV and COZI TV, Inspirational-TV when they show old Western shows, still doing it right, thankfully. Puoi modificare le tue preferenze in qualsiasi momento in Le tue impostazioni per la privacy. Hate blu ray 3D movies with up and down bars. That film has excellent usage of an anamorphic 2.35:1 format. The differences between the Up and Seinfeld HD are invisible to an HD screen. The average viewer will never understand aspect ratios. A few companies have tried different aspect ratios, but just to be different. I don’t even mind 4:3 aspect ratio, many of the best films like Gone with the Wind and Casablanca were shot that way. The Offical Star Wars website posted a feature on the difference between the widescreen and full screen versions for Episode II. Comparing Widescreen and Fullscreen. Widescreen may be good for movies, but what good does it make when most movies have aspect ratio of 2:35. Now, that aside, great work with the video. @Struckworld My Fullscreen film’s don’t have black bar’s,on my widescreen TV,and I don’t have to toy with my aspect ratio,on the TV remote to get rid of them,and if they cut of a little,I wouldn’t care,they can pan left,and right I still wouldn’t care,again I think anamorphic widescreen should be banned,matte is not too bad,and people nowaday’s are to lazy to make Fullscreen movies,matte screen’s the best we get,and widescreen TV’s suck the width should match the heighth,as much as possable. That “FOX6” logo is FAR more annoying than black side bars! Most of the media I watch is film, which almost always appears in a widescreen ratio, but when I start watching a TV show in 4:3 with pillarboxing I don’t think “this is unwatchable!” This seems to me like something that a studio or some other entity might think people care about more than they do. I hate the widescreen versions, it just looks strange like stuff was cropped off, which it was. I don’t think this is quite accurate. So it’s a mixed feeling. Im worried about the extra horsepower that my video card will need to spit out, is there much difference between the 1440 x 900 that the widescreen spits out vs. the 1280 x 1084 of the widescreen? without losing action!!!! Wish they remastered this like star trek tos and tng where. Anybody who says Fullscreen doesn’t know anything about movie experience!!!!!!!! In most games, there is a full screen mode. It would have been better if the production crew would have produced the show in widescreen before it was cropped. Doesn’t explain why 16:9 still shows black bars. The standard ultra-wide (21:9 aspect ratio) resolutions amount to 3440×1440 or 2560×1080 pixels, which offer extra horizontal space in comparison to their respective 16:9 widescreen resolutions of 2560×1440 and 1920×1080. I remember watching Lord of the Rings, and there was a scene when it was trying to show a panoramic 360 view of the castle but you cant really see the top & bottom part of it. LCD panel manufacturers can save a lot of money if they use the same parts for both computer monitors and HDTVs. I have an idea to solve everyones problems. Video taken from the channel: The Random 6, Thanks for watching!Intro Music: Michael Jackson Logo.Outro Music: HOME Resonance.Patreon:https://www.patreon.com/wpcplush.Twitter:https://www.twitter.com/SuperMarioCPHR.Instagram:https://www.instagram.com/plushystudios, Video taken from the channel: PlushyStudios, Video taken from the channel: Sebastian Rabern. If 16:9 is the new standard, then just stick to it; otherwise, it’s really annoying. Problem solved. This is what they did to a lot of movies in the 80’s-2000’s that were shot in 35mm. Also I don’t think the problem is fullscreen or Full screen TV’s,at all,on the contrary,the film shooting equipment should change,they should make it paletable for Fullscreen,and Fullscreen TV’s,because Widescreen TV’s Suck! 19" widescreen resolution is 1440x900. It’d be better to have cropped it to only 14:9 and get a slightly wider image and a small pillar boxing. Only since TFT displays the border area of 4:3 material is visible CRTs did cut the border area of the 4:3 off (so it was in fact a slightly zoomed 4:3 image the viewer saw on the screen). But as you pointed out wonderfully, changing the ratio also changes not only the feel of the show but also what the viewer is supposed to see. In addition, wider monitors have less pixels compared to former standard 4:3 ones if the diagonal size is the same. Widescreen vs. Fullscreen? I am pretty sure that is not what the director wanted. Same for Disney’s Sleeping Beauty (1959), The Goonies (1985), 101 Dalmatians (1996), Ice Age (2002), etc. It would still be widescreen but pan and scanned to 16:9, @cloudvol7 your fullscreen DVDs don’t have black bars because your using a AV DVD Player, if you were using a Blu-Ray player or a DVD Player with HDMI cable, your fullscreen DVDs would have black bars side to side. Name ANY TV show made before 2000-2005, and it has been cropped, either for Blu-Ray DVD, or when playing on many TV networks. $134.99 Your price for this item is $134.99. Look at this video! I was thrilled by that Chariot scene it was bloody awesome. When you use your HDTV or Blu-ray player to “Zoom,” it does so based on a “centered” image…. What annoys me is back in the 90s when a lot of films were shot with 4:3 camera, the blu ray versions are remastered and released at WIDESCREEN? Lol. I used that shot as a WSvFS example on my old (now defunct) website. The X-Files was shot in 1.78:1 and broadcast in 1.33:1. When did they change it? It just feels wrong.I wish TV producers were a bit more brave than not at all and had the guts to normalize black bars and pillars instead of pandering to this kind of stupidity.They did it for films on TV, but now they keep “updating” old TV material for widescreen. I was wondering how much information was lost when moving to 16:9, I was wondering why Star Trek wasn’t remastered in a similar matter before watching this. Finally, the price of wide-screen 20" monitors is still higher than for 5:4 displays. 791 views. When I did, I looked up the movie on TCM. Only a moron would complain “I’m seeing the entire original image I’m not seeing only half of it! At least when you set the TV right. The original broadcast was 4×3 as was the dvd releases but the HD version is 16×9. Ever. In Terminator 2 when she pierces Todd’s head, it pans across in the 4:3 version and the green pad he is lying against on the counter is clearly visibile. The scene shown wasn’t the best example for showing the advantages of widescreen. It is just shown smaller and matted with black bars, so that you can see the entire image. They’re careful to make sure everything important is in the shot, so you’re not losing much watching it fullscreen. So I guess were still kinda anal about our screens being filled. MGM & Don Bluth’s The Robot Castle of the Star Clones (1984) Crop Fullscreen Camera Pan & Scan (1.33:1) and 2.35:1 Widescreen (1920×810) YouTube Don Bluth’s The Robot Castle of the Star Clones Fullscreen and Widescreen YouTube YouTube WideScreen vs FullScreen AllenFilms1. To fix the issue, you can try to check the full screen settings of your games, which is the easiest method. Not yet reviewed. Widescreen is wider. Sorry i know its a stupid question but im kinda retarded at this thanks:), I probably shouldn’t say this but I kinda felt guilty for having not known that till DVDs were become popular. (In my opinion)…nobody “liked” the 4:3 format, which itself was a forced compromise adaptation from circular TV….in our entire lifetimes, still photography had been set at 3:2! Deal with the dam bars in black, so don’t frickin’ look at them…OK?! I want to buy the fullscreen version. The proper ratio to display stations that use bugs is 0:0! After switching to an ultrawide monitor and comparing ultrawide vs. dual monitor setups, here’s what we noticed: Extended Screen Real Estate on One Screen. To clarify, the episodes released and shown in 16:9 are not cropped. I’m still okay with the pillarbox of left and right. @Struckworld I agree,with the making TV’s to fit statement alot,but I also don’t like widescreen T.V’s much at all anyway’s,because one you usually still get Black bar’s on the T.V,and two that the height of the T.V’s tend to suck,you get a great deal of width,but not much heighth,so if you have a 40 inch T.V,you feel like it’s three smaller tv’s hooked together,not a awesomely big,and more squared one. The entire point of what you just watched was “When we crop movies to fit TV, they lose something” movies are made widescreen, (until recently) TV is made fullscreen. So what were the problems with the fullscreen release of this? The 2:35:1, 1:78:1 and 1:85:1 format should be banned for films except for television! I hate that Seinfeld is 16:9 on Hulu, especially when I use a crt that would be perfect for the original 4:3. It’s actually worse since a large portion of the DVD’s pixels are being used for the black bars. Copyright Act of 1976, which allows for the rebroadcast of copyrighted materials for the purposes of commentary, criticism, and education. I realize others joke about full screen being only half of a viewing experience, but that isn’t the case. So we can see them in their intended form quite easily. It’s amazing that people just don’t get aspect ratio’s. absolutely love this documentary I have showed it to many people who don’t believe widescreen is better. The old CRT TVs are an example of the full screen format with its square screen. the film being in widescreen definitely looks a lot better. Comparing Widescreen and Fullscreen ©Turner Classic Movies. I’m sick of buying new TVs only to have wasted screen space because the director decided that the old aspect ratio isn’t good enough any more. I sometimes do a zoom from 4×3 when I don’t feel like seeing the pillar boxing (I sometimes want to avoid burn in on my plasma TV), and I’m surprised at how well the shots work in 16×9. @RMProdux2008 well then you should specifically just watch movies that are 1:78:1 BECAUSE THOSE BLACK BARS ARE SOOOO DISTRACTING!!! I would usually say 2.4:1 (or 2.35) is better, but I agree with most of the comments that this looks better fullscreen. The clerk’s answer flabbergasted me: “Widescreen DVDs are for the big-screen TVs. @Zaranyzerak Not true. I would rather watch Seinfeld in its original 4×3 ratio. Go to the practice range. 1.Widescreen uses an aspect ratio of 16:9 while full screen uses an aspect ratio of 4:3. Fucking hollywood being cheap on us! FOX airs their programing letterboxed. To be fair it doesn’t look too bad but personally i think the original intended ratio should be preserved. After watching this video and another one on the same subject I could see how much of the Movie I was missing out of. The movie is what you focus on and it is filmed in a certain shape. The main difference between the two is the aspect ratio that they use. It looks like it was produced for television. Required fields are marked *. If you want a monitor to use for fast-paced games, an IPS panel may be better than a VA panel. Theres only one film and one film alone that you need to watch in order to see the effectivness of wide screen filming Lawrence of Arabia. I don’t know even why filmmakers never use this anymore! I’ve been watching in HD 16:9 on a 65” and assumed it was the TV size giving everyone close ups. I always go for original aspect ratio. Meanwhile 16:9 and 4:3 subject matter is displayed in pillarboxed fashion in the center of the 2.35 screen. I compared the dvd version of friends and blu Ray version and noticed that it was remastered in 16:9 in a different way as a saw the tiniest bits would be cropped from the top and bottom so friends did a better job with remastering. You hate big black bars. Because it was filmed in Super 35, you still see both, but the edge of the screen is a lot closer to them, and there’s a lot more background above and below them. Same here. In contrast, widescreen TVs use an aspect ratio of 16:9 (1.77 wide compared to its height) or greater. Please try again later. The black bars on the sides are not even that bad. I never new what that was until I brought the DvD version and found out that the film was alot wider than I expected. So you’re perfectly OK with having the sides chopped off of a widescreen movie, right? Now, I feel confident enough to say that widescreen is in fact better than full screen. This video was MADE for 4:3. The widescreen has very unnecessary space that needs to be cut off. But that’s all right. I even went back to one of the parts where Elton’s face was slightly off-screen at 16:9, but completely on-screen at 2:35:1. I’ll sacrifice resolution for the correct aspect ratio and framing. Explaining pan and scan to folks used to actually enrage some customers. putting the action in the middle makes the 4:3 shot look better. How pathetic is that? Even having the option of the cropped version on the Curse of Fenric DVD makes me slightly uncomfortable. And my family always complaines about it. Mathematically 1600 pixels x 1200 pixels is 156000pixels more room than 1680x1050 that is … One of the reasons that widescreen became popular is because people wanted to feel like they were in a movie theater when they were watching television. Some movies are filmed in super 35 where it’s a full screen image and they cut off top and bottom to show in theaters, Buffy is an even more dramatic case. In case you didn’t know, you usually have to change your DVD player settings to tell it the aspect ratio of your TV. “incongruity” is the key word here. WHAT IN CINEMA ARE THEY THINKING?! I’m the kinda fella who usually doesn’t give a hoot about a “creator’s vision” if the finished product is still engaging (which is a personal thing, obviously). I must add that I later saw Up (1.78:1 HD) and noticed that the bars were thicker than Seinfeld’s. It allows you to cut out the unnecessary background stuff and focus in on the characters, when you’re framing one person, 4:3 is much more natural than 16:9 unless they’re very wide. Films shot in widescreen are also not analyzable in those terms, because the television/video versions are mostly ‘full-frame. For example, users can view more with widescreen due to higher resolutions and larger viewable areas, helping maximize productivity. 2.Widescreen is better for viewing movies than full screen. 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And scan to folks used to actually enrage some customers 16:9 screen, it ’ s suck are. Puoi modificare le tue preferenze in qualsiasi momento in le tue preferenze in qualsiasi momento in le preferenze...

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